Laurence (with a U, not a W) is a shy kid who spends most of his time at home building things like an almost-functioning supercomputer and a watch that takes him two seconds into the future. One day, he decides to sneak out of school to see a rocket launch at MIT. Will he use this time-skipping watch to expand on science's understanding of time? Will he succeed in creating a supercomputer? Will anyone ever stop calling him Larry?
The answers to these questions are all "maybe," because all of that happens in the first two chapters and then we immediately skip forwards by several years. Now, Patricia and Laurence both attend Canterbury Academy, a high school in which neither of them quite fit. Fortunately, they find each other, and tentatively start forming a friendship. Before long, the two become fast friends, and have all the sorts of misadventures that you would expect from a feel-good novel about high-school aged kids.
PSYCHE! They're soon separated and don't see each other for ten years, during which they split into their respective separate and irreconcilable worlds! Charlie Jane Anders has fooled you again! So yeah, Laurence is now a fancy science man who does fancy science, and Patricia is now a witch who does witchy things. Like for example assassination? I'm pretty sure Patricia is an assassin now? It's unclear. The point is, fancy science and witchy things can never ever go together, so Patricia and Laurence have an uncrossable rift between them, which they must somehow bridge if they are to ever be friends again.
Fortunately, our two protagonists have all the time they need to get to know each other, because the world is ending. Oh wait no that's bad. Don't worry, there are plans in the works to fix the oncoming apocalypse, which has to do with the climate changing by the way. Patricia's witch squad has proposed the worst plan in the universe, so that's maybe a bad idea. Fortunately, Laurence's science squad has proposed an alternative, which is also a bad plan but is preferable in that it is not the worst plan in the universe. The actual contents of both plans are kinda spoilers so I won't go into them here, but I mean really could they not like try any non-last-resort ideas given that they are not yet at a last-resort stage of the apocalypse?
Okay, I'm being a bit mean here. All the Birds in the Sky is a fun book, even if it does get somewhat pushed around by fridge logic. Laurence's science inventions are all pretty cool, even though they never get to a super useful practical level, much less an Iron Man level (with one spoilerish exception). Patricia's magic spells are rich and varied, and the associated costs keep them from feeling too overpowered. All in all, it's a pretty well-done balance of tech and magic.
If I do have any complaints, and I do, they're mostly about elements of the world, and in particular its portrayal of "the science side." First off, the idea of an uncrossable rift between magic and science bothers me. This is probably because of my
Then, there's the trouble of how the science side in itself is portrayed. It's more of an "I have invented this cool thing now" than an "I am curious about how the universe works and how I can make it work for me." To see what I mean, let's take another look at that time-machine watch. First of all, and I admit this is nit-picky, the book acts as if two seconds is a really short amount of time. Like, Laurence skips forward two seconds and nobody notices because it just looks like he's flickering. This is two seconds:
. That doesn't look like flickering to me.But, more than that, there's the whole concept of the watch itself. Why two seconds? Why can't you jump more or less time? How does the watch know what to move forward and what to not affect? How would it affect a liquid? What reference frame is it using for the output point in space? How much mass can it affect? What happens to the space you used to take up in the two seconds are gone? None of these questions are asked by any of the characters, not even the ones that are meant to be "science people". My point is that an actual scientist would do so much with this, but in All the Birds in the Sky it's dismissed as just another "science thing."
It is, however, pretty clear why these avenues are not explored. All the Birds in the Sky isn't a book about the difficulties of reconciling science and magic. It's a book about Patricia Delfine and Laurence WaitDidHeHaveALastName, and their relationship with each other. The science fiction is of the pulpy magic-but-with-"quantum"-on-it variety. Essentially, in All the Birds in the Sky, "science" is a less effective and less reliable form of magic, with the bonus of not having any apparent costs. The split between the two sides is there only to drive the conflict of the book, and it works.
In conclusion, let this be a lesson to you all that thinking too hard about books can be bad for you. After a thousand words of text, my actual position towards All the Birds in the Sky seems murky. To be clear: I did like the book, although many of its elements ticked me off in just the wrong ways. If you want a deep exploration into whether or not science can be reconciled with magic, then this is probably not the book for you (and, honestly, I can't think of a single book which focuses on that question). If, however, you want to read a relationship drama between two awkward misfits, with the added spice of them being from different worlds and at the start of an apocalypse, then All the Birds in the Sky might be the book for you.
